Anna Kamieńska — The Vale of Soul-Making

Writing down your thoughts is both necessary and harmful. It leads to eccentricity, narcissism, preserves what should be let go. On the other hand, these notes intensify the inner life, which, left unexpressed, slips through your fingers. If only I could find a better kind of journal, humbler, one that would preserve the same thoughts, the same flesh of life, which is worth saving.

— Anna Kamieńska, from “In That Great River: A Notebook,” Poetry. Originally Published: June 1, 2010

via Anna Kamieńska — The Vale of Soul-Making

On Literary Pleasure – Paul Valéry

Le plaisir littéraire n’est pas d’exprimer sa pensée tant que de trouver ce qu’on n’attendait pas de soi.

Literary pleasure is not to express one’s thought as long as to find what was not expected of oneself.

– Paul Valéry, Cahiers (Poétique, 1917-1918)

London Bridge (a text of Paul Valéry translated by Vadim Bystritski) — Before and After Francis Ponge

Some time ago, while I was crossing the London Bridge, I stopped to watch what I like best — rich, heavy and complex water, covered by mother-of-pearl fabric, blurred by the clouds of mud, bewilderingly busy with a great number of vessels, whose white steam, moving spinnakers, all bizzare maneuvers that ballance bales and crates, […]

via London Bridge (a text of Paul Valéry translated by Vadim Bystritski) — Before and After Francis Ponge

Reading notes: ‘Ectoplasm: photography in the digital age’ by Geoffrey Batchen — Digital Image and Culture

Reading notes Cambridge dictionary: Ectoplasm = a substance that is believed to surround ghosts and other creatures that are connected with spiritual activities Oxford dictionary: Ectoplasm = a substance that is said to come from the body of somebody who is communicating with the spirit of a dead person, allowing the spirit to have a form […]

via Reading notes: ‘Ectoplasm: photography in the digital age’ by Geoffrey Batchen — Digital Image and Culture

Examine the figure of the female flâneuse in Virginia Woolf’s work, with particular focus on Mrs Dalloway. — rachelisinthewrongera

Introduction The term ‘flâneuse’ can be attributed to females who engage in flânerie: the act of observing the city whilst walking.[1] They know themselves to be one of the public, yet they are the binary opposite to the engaged pedestrian – they are a passive spectator.[2] Until the latter half of the nineteenth century, flânerie […]

via Examine the figure of the female flâneuse in Virginia Woolf’s work, with particular focus on Mrs Dalloway. — rachelisinthewrongera