“Given enough coffee I could rule the world” Terry Pratchett, writer
via “Given enough coffee I could rule the world” — Art of Quotation
A collection of writings about place space writing and art …
“Given enough coffee I could rule the world” Terry Pratchett, writer
via “Given enough coffee I could rule the world” — Art of Quotation
Georges Perec and Blaise Cendrars shared two remarkable qualities: an infinite ability to acutely observe the human condition and an infinite ability to document it.
– Marcus D. Niski
Further reading:
Blaise Cendrars: A Poet for the Twenty-First Century by Yannis Livadas as found at: http://hyperallergic.com/382414/blaise-cendrars-a-poet-for-the-twenty-first-century/
Avoided: On Georges Perec by Eric Beck Rubin as found at: https://lareviewofbooks.org/article/avoided-georges-perec/
Learning to see, feel and think are the highest possible ideals in life. Depth is everything.
– Marcus D. Niski
City – the word evokes such dichotomous imagery. As I savour the languorous beauty of William Dalrymple’s City of Djinns, the words speak to me and I learn to see through new perspectives, the city I live in. Feeling every bit the outsider, adjusting to the linguistic differences, the charms of this city have begun to work on me […]
by Nirupama via http://themadrasponnu.wordpress.com/2017/04/18/poetry-in-a-city/
Banal places are always the best places/spaces in which to write.
– Marcus D. Niski
Langston Hughes’ autobiography from the years 1931 through New Year’s Day 1938 covers his early years as a professional writer during the Great Depression, in which he travels extensively and observes practices and politics as well as the status of black people throughout the world.
“Most of my life from childhood on has been spent moving, traveling, changing places, knowing people in one school, in one town or in one group, or on one ship a little while, but soon never seeing most of them again,” Langston Hughes writes …
via Hughes’ I Wonder As I Wander: Reveries of an Itinerant Poet — Carra Lucia Books
Where am I? An 8×10 square room with a feeling of no air. White walls with dirt marks caused by the edge of my dirty feet mirroring an eeriness inside my mind. The bright white light blinds me for a millisecond and then I see again. A table of inferior quality stands on its four […]
via [66] Writing Exercise: “In A Regretful Room” — Smoke words every day.
Back when Los Angeles was younger, at the dawn of the automobile age after World War I, tires, gasoline and cars were sold in buildings and displayed in a manner befitting a jewelry store. Among the rich archives of the USC Digital Library, are photographs of local businesses, who put extraordinary artistry into their signage and architecture […]
Sometimes you see a picture and you can tell that something’s missing, but you don’t know what it is …
Or you could try to fill the emptiness with something you love, as I love Walker Percy’s renderings in The Moviegoer:
The street looks tremendous. People on the far side seem tiny and archaic, dwarfed by the great sky and the windy clouds like pedestrians in old prints.
…
By Marcus D. Niski
From cradle to the grave we engage with places of differing kinds for differing reasons for better or for worse: places of horror and wonderment, places of joy and sorrow, places to rest, places to work, places that lift us up and places that bring us down, places of lightness and darkness: so many places inhabit our world…
Public Squares
Hospitals
Quadrangles
Churches
Prisons
Rooms
Universities
Cemeteries
Hotels
Asylums
Fields
Hills
Valleys
Dales
Laneways
Fjords
Escarpments
[MN] September, 2017
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