cologne, 2018
Bus Stop — Liminal Narratives
We rarely see them. Or rather, we see but fail to acknowledge. They inhabit a shadowland of the banal, the unremarkable, the unnoticed. Concealed in their own mundanity, they gently erase themselves from view. Yet in Christopher Herwig’s remarkable Soviet Bus Stops, these drab artefacts of lane and street are re-invented, as Jonathan Meades observes […]
Salzburg Altstadt – The Blue Hour
Photography by Marcus D. Niski © 2018
Straßenunterführung (Street Underpass)
Straßenunterführung (Street Underpass) – Salzburg, Austria
Photography by Marcus D. Niski © 2018
Leica Galerie – Salzburg, Austria
Photography by Marcus D. Niski © 2018
flâneur — Liminal Narratives
In airport, we looked at how Augé’s non-places are maybe not so ‘non’. They are places not merely of circulation, communication and consumption but creativity too. This suggests perhaps a further liminal characteristic of non-places – their identity is not merely singular but multiple; and these identities blur. It is a view proposed by Peter Merriman in […]
always… brutalism — .documenting.the.obvious
Place and memory
The memorable is that which can be dreamed about a place.
– Michel de Certeau, ‘Walking in The City’ in The Practice of Everyday Life
Admiralspalast – Art Nouveau / Jugendstil — See in Berlin
A presentation of Admiralspalast – a theathre built in eclectic Art Nouveau / Jugendstil style
via Admiralspalast – Art Nouveau / Jugendstil — See in Berlin






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