Designed and created by Josephine R. Unglaub.
via Happy Sleepwalk. — lemanshots – Fine Pictures and Digital Art
A collection of writings about place space writing and art …
Designed and created by Josephine R. Unglaub.
via Happy Sleepwalk. — lemanshots – Fine Pictures and Digital Art
I believe it was Schiller who said that the only time a human being is free is when he or she creates a work of art; if that’s true, then a work of art is sacred and shouldn’t be compromised by mere ambition.
– Edmund White in his Paris Review Interview
“Everyone wants to understand art. Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them?” – Pablo Picasso, Spanish, painter, sculptor, printmaker, draftsman
via “Everyone wants to understand art. Why not…” — Art of Quotation
Nearly all reality is pain.
– From an Interview with Melwyn Bragg for The South Bank Show.
[Quotation taken from my Writer’s Notebooks 2015]
Chaos for me breeds images.
– From an Interview with Melwyn Bragg for The South Bank Show.
[Quotation taken from my Writer’s Notebooks 2015]
“I see drawing as thinking, as evidence of thinking, evidence of going from one place to another. One draws to define one thing from another. Draws proportions, adjusts scale. It is impossible to paint without drawing.” Vija Celmins, painter, draftsman, Latvian, American
via “I see drawing as thinking, as evidence of thinking, evidence of …” — Art of Quotation
An exceptional artist and in my opinion an even better writer Leonora Carrington was the inspiration for many of Max Ernst masterpieces, notably The Robing Of the Bride (see A Week of Max Ernst: Friday) and was in many aspects the archetypal Femme-Enfant of Surrealist desire; a dubious honour that Carrington, as one of the […]
H/t to Bonnie Kuster Butler for this post. When is a book art ? A current exhibition at LA’s Getty Research Institute explores the many ways in which artists create objects that straddle the worlds of books and art. The show, titled Artists and Their Books/Books and Their Artists presents more than 40 exceptional examples of artists’ […]
By Marcus D. Niski
A love of books and a love of creating art have inspired Salzburg book artist Markus Kircher to bring together a major selection of his book art works currently on display in the glorious traditional framed window of the Raiffeisen Bank located at the corner of Alter Markt 8 and Residenzplatz in the centre of Salzburg’s Altstadt.
Drawing upon a selection of 50 hand-painted and collaged books that began as blank books found in such eclectic places as India, Thailand and the local flea markets of Salzburg – as well as many hand-bound books made by the artist himself – the collection represents a form of retrospective of 25 years of Markus’ work as a book artist.
Indeed, one of Markus’ personal favorites also on display is a Goa travel book that was created on his first half-year journey to India; a book that takes him back to his imagination and artistic reflections of his encounters and impressions of India.
Recently, Markus also completed a major book art masterwork known as THE FAT BOOK – a stunning 756 page collection of unique images hand painted over the course of 3 years into an enormous beautifully bound old leather ledger book that he came across by accident in a second hand store in Vienna.
While Markus’ inspirations for his book art images have come from far and wide, his love of New York and his own hometown of Salzburg have provided much artistic resonance in the various images he creates in his painting and collaging. Like all artists, it’s difficult to pin down the inspirations given by exact locations and vistas; it more about impressions and “new views of old known places”, as Markus explains.
As an art form, Markus continues to explore and push new boundaries in his love of book art and the types and forms of books that he makes use of to paint and collage in.
While his book art collection is currently on display in Salzburg’s Altstadt, images of THE FAT BOOK will also be published as a 100-page catalogue by Salzburg’s Artbook Verlag http://www.artbook.at/ in November 2018.
Having visited Markus’ Salzburg atelier on many occasions and viewed the progress of THE FAT BOOK to its final fruition, it is very exciting to anticipate the publication of images from THE FAT BOOK that will no doubt delight and impress lovers of book art not just in Salzburg, Austria but in many parts of the world where book art and book artists continue to pursue this most passionate form of creative endeavor.
Visit Markus’ website at: www.markuskircher.net
Interview and Story by Marcus D. Niski © 2018
Book Art Images as Created by Markus Kircher © 2018
Photography by Marcus D. Niski © 2018
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