The Writer as Documentary Mapmaker

We confront the limitless borders and boundaries of empty space, the void of our own thoughts and the longing to give meaning to our own often meaningless lives. The act of writing is both damnation and salvation working in parallel as the struggle to pull down meaning and to make it a concrete memorial to our own existence. Without such written documents to enrich our lives we would concomitantly damn both ourselves and others to an unbearable obscurity. Literature in all its forms accordingly documents and records the greatness of human society as much as its banality. The two are inseparable. For without ugliness and banality we would have no measure of the great and the grand. All writers attempt to strive for meaning amongst the banality of their own existence, if only to make it seem grand, if only to themselves and to nobody else.

Marcus D. Niski,  10 March 2021

The Bunker: John Giorno and The Life and Times of William S. Burroughs

by Marcus D. Niski

During one of the most colorful and flamboyant phases of his creative life, William S. Burroughs was closely associated with his New York loft apartment at 222 Bowery both affectionately and aptly known as The Bunker. The scene of many legendary parties and encounters with fellow writers, artists, hangers-on, street urchins, fans and other innumerable dramatis personae, Burroughs somewhat reluctantly at times played the multi-faceted role of raconteur, showman, marksman, chef, host and resident celebrity that would undoubtedly help to further cement the Literary Outlaw myth so closely associated with his literary persona.

In this warm and intimate film portrait below of his close relationship with William S. Burroughs, fellow writer and poet John Giorno recounts the heady days of The Bunker and the antics associated with Burroughs’ famous residency. The cast of creative and literary heroes and villains ranged from the Beats Herbert Huncke and Allen Ginsberg, to such luminaries as Andy Warhol, Patti Smith, Terry Southern and Victor Bockris [who would assemble various conversational accounts of the goings-on at The Bunker under the title With William S. Burroughs: Reports from The Bunker]; as well as various members of the rock and roll fraternity of royals including – Mick Jagger, David Bowie and punk icon Joe Strummer.

The term ‘The Bunker’ itself stems from the fact that the apartment had no windows as well as extremely thick concrete walls which isolated it from all outside noise. Burroughs saw this as the ideal circumstances for his writing – and indeed his marksmanship – and the building served as an extremely attractive location in which to unfold his daily creative and life rituals.

During a trip to New York in 2009-2010, I made a literary pilgrimage to The Bunker in search of the Burroughs mythos and the surrounding historic district of the Bowery. Indeed, the Bowery itself is known for its own colorful and unsavory history as a prominent site for men’s shelters that housed many of the cities homeless, poor and indigent residents and The Bowery Mission continues to operate until today as it has done since the 1870s just several doors away from The Bunker itself.

Below are some images that I took of the front entrance, the view looking up to The Bunker loft and a street view all taken on a particularity cold winter’s day. Looking closely through the wrought iron gates, it was fascinating to still see the remnants of the YMCA logo adorning the tiled floor just inside the door as the building had served as a working YMCA. Indeed, a fascinating history of the building has also been documented by the New York Times which can be found at the following link: New York Times history of 222 Bowery

Bunker[1] MN

Bunker [3] MN

Street Photography Images Copyright Marcus D. Niski 2009-2023

‘The Bunker’ undoubtedly remains an iconic and important architectural and cultural reference point to one of the great periods of New York’s 20th Century literary and cultural history. Given its proximity to CBGBs which played a seminal role in the birth of the American punk rock movement that spawned a whole generation of musicians and artists, it’s hardly surprising that a pilgrimage to The Bunker was also part of the neighborhood lore and ritual for so many of New York’s avant garde and outsider scene.

John Giorno’s (1936 – 2019) fascinating and eclectic life as a poet is also more extensively documented in the first part of the film as found on the Louisiana Channel at the following link entitled: John Giorno Interview: A Visit to the Poet


M.C. Escher on Loneliness, Creativity, and How Rachel Carson Inspired His Art, with a Side of Bach — Brain Pickings

“A person who is lucidly aware of the miracles that surround him, who has learned to bear up under the loneliness, has made quite a bit of progress on the road to wisdom.” “If you write what you yourself sincerely think and feel and are interested in,” Rachel Carson wrote as she contemplated the loneliness…

M.C. Escher on Loneliness, Creativity, and How Rachel Carson Inspired His Art, with a Side of Bach — Brain Pickings

Henri J.M Nouwen

Forgiveness is the name of love practiced among people who love poorly. The hard truth is that all people love poorly. We need to forgive and be forgiven every day, every hour increasingly. That is the great work of love among the fellowship of the weak that is the human family.

― Henri J.M. Nouwen

Hélène Cixous — The Vale of Soul-Making

I have flowed, become stagnant, festered, I have fallen from above. Mass, rhythmic, in harmony with my millions of drops, I have rained. I have been earth with the earths. Foaming, humid, I have slept a faceless face down. I have. Had. Lived. Done. Been. All the words that grow before the tip of the tongue, before I reach it. I am a body who has enjoyed creation.

— Hélène Cixous, White Ink: Interviews on Sex, Text, and Politics (European Perspectives: A Series in Social Thought and Cultural Criticism). Published by Columbia University Press; 1 edition (November 6, 2008)

Hélène Cixous — The Vale of Soul-Making